Dr Terese Jonsson

I have worked as a non-fiction editor since 2019 and am a professional member of the Chartered Institute of Editing and Proofreading (CIEP). Prior to becoming an editor, I was a sociology lecturer in higher education. I also have extensive experience working in the non-profit sector.

​

I love working with words and supporting writers to express their ideas in effective and compelling ways. I am a bookworm who reads widely across genres, and this has helped me develop a keen sense of how elements of writing – such as narrative, structure, language-choice and tone – impact on the clarity of the message.

​

My neurodivergent processing style includes a high level of attention to nuance and detail, which comes in very useful in my editing work. I also get very geeky about the craft, process and challenges – especially the challenges! – of writing and can often be found reading books about writing for fun.

​

My love of good writing and experience as a writer informs my work as an editor, and I like working with different types of texts. Having worked in higher education and the non-profit sector, I have written material aimed at a variety of audiences, including academic papers and a book, policy and research reports, campaigning toolkits, training material, and blog posts. In more recent years, I have been developing my creative writing skills and am particularly interested in the creative non-fiction essay form.​

​

Subject areas and interests

My areas of subject knowledge and interest include:

• race/coloniality

• gender/feminisms

• (critical) disability studies

• sexuality/queer theory

• social justice movements

• climate justice

• creativity and creative practice

• creative non-fiction

• literature and literary criticism

• neurodiversity

• mental health

• self-care/healing justice

• radical education/unschooling

• parenting

​

If your subject is not listed but you think we may be a good fit, please do get in touch! I love working with authors passionate about both their ideas and their writing craft.

Publications​

​My book, Innocent subjects: feminism and whiteness, was published by Pluto Press in 2020.

I wrote about some of the themes from the book in this blog post: Whiteness, innocence and complicity: lessons from anti-racist feminisms.

​

Peer-reviewed articles in academic journals:

• White feminist stories: locating race in representations of feminism in The Guardian (Feminist Media Studies)

• The narrative reproduction of white feminist racism (Feminist Review)

​​

Professional training

I have completed the following training courses:

• Proofreading 1: Introduction (2019) – CIEP

• Copyediting 1: Introduction (2020) – CIEP

• Essential Grammar (2021) – Publishing Training Centre

• Essential Proofreading (2022) – Publishing Training Centre

• Word for Practical Editing (2022) – CIEP

• Switching to Fiction: Editing for Indie Authors at Sentence Level (2023) – Louise Harnby

• Copyediting 2: Headway (2024) – CIEP

• Crafting Compelling Personal Essays (2024) – London Writers' Salon

• Neuroqueering Your Creative Practice (2025) – KR Moorhead, Marta Rose & Meg Max

• Writing While Neurodivergent (2025) – KR Moorhead

​

As a Professional Member of the CIEP, I abide by its Professional Practice Code. I am committed to continuous professional development and undertake regular training courses related to writing and editing.

​

Academic qualifications

• PhD, Gender Studies – London Metropolitan University

• MA, Gender, Culture and Modernity – Goldsmiths College

• BA, Media and Communications – Goldsmiths College​